Adam Wilt/Pro Video Coalition

Adam Wilt Reviews the Panasonic AG-HPX170P 1/3”, 3CCD P2 Camcorder

The first review on the net of the successor to Panasonic’s hugely popular HVX-200. Adam gives his usual in-depth analysis of what is expected to be one of this year’s “next big things” in digital cinematography. This article will be of particular interest to indie-filmmakers, production houses and cinematographers…(more)

Richard Recco/QC Central

Cineon/DPX Pro for Final Cut Studio 2 3.0.3

This is a professional set of QuickTime components to read and write Cineon or DPX images. Features include:- Full Integration with Final Cut Pro 6 and Compressor 3
- Solid playback with FCP 6. (If system meets recommended requirements.)
- Sequence Presets for Cineon or DPX based projects
- 32-bit float pixel support during import and export. (more)

IFSS/International Film School, Sydney

Dual-System Sound Sync Options

One particular production workflow that can be a sticking point for many projects is working in post with dual-system sound requiring synchronization.

Dual-System (aka Double-System) sound is simply that where the audio has been recorded separately from the picture, to a physically separate recording device and medium. The main unit used in the school for dual-system is the Marantz solid-state field recorder. This records 2 channel audio to compact flash memory cards in standard 48k 16bit…. (more)

Merinews – India

Video editing: The visual cut

VIDEO EDITING has become an inseparable part of today’s media and entertainment industry and hence the increased demand for video editors. The secret behind making art aesthetically appealing lies in the techniques of editing… (more)