There is a lot of misinformation, confusion and debate on the best way to proceed when posting material shot with the RED One Digital Camera. As of this writing, there are several options, with no one definitive way taking precedent. So it’s our good fortune that Oliver Peters over at Digitalfilms.com just cut and finished a package of television spots shot on RED and finished in Final Cut Studio. In his latest post, he walks us through the steps he took to get the work accomplished as efficiently as possible, with a minimal amount of headaches. At the end of the article he also links to a bunch of excellent RED workflow resources.

From Digitalfilms.com

Ever since the RED Digital Cinema Camera Company started to ship its innovative RED One camera, producers have been challenged with the best way to post produce its footage. Detractors have slammed RED for a supposed lack of post workflows. This is in wrong, since there are a number of solid ways to post RED footage. The trouble is…